There is something shameful about the death of a play. It does not die with pity, but contempt.

There is something shameful about the death of a play. It does not die with pity, but contempt.

Mary Roberts Rinehart

The quote “There is something shameful about the death of a play. It does not die with pity, but contempt” suggests that when a play fails or is no longer performed, it does so not evoking sympathy for its lost potential, but rather disdain for its shortcomings or failures to engage an audience. This perspective highlights the idea that artistic works are often judged harshly by their perceived value and impact on society; when they cease to resonate or are deemed unworthy, they can be met with scorn rather than understanding.

In this context, the “death” of a play can symbolize broader failures in art and creativity—moments when an idea or effort doesn’t connect with people as intended. The shamefulness stems from the notion that instead of being remembered fondly for what it could have been or appreciated for its effort, the piece is dismissed outright. There’s an acknowledgment here that art holds aspirations and hopes; when those fail dramatically in public view, it feels like a personal failure—not just for the creators but also for society at large which may have failed to support innovation or experimentation.

Applying this idea to today’s world can lead us into discussions about how we treat creative endeavors—whether in theater, literature, film, or even in personal projects. In a culture often driven by consumerism and immediate gratification, there might be less patience for works that challenge norms or don’t instantly capture attention; thus leading to contempt rather than contemplation. This behavior could discourage artists from taking risks due to fear of rejection.

From a personal development perspective, this quote invites reflection on how we handle our own failures. Much like plays can face scrutiny after their “death,” individuals’ efforts can also be met with criticism rather than constructive feedback. Instead of allowing ourselves to feel contempt towards our mistakes (or those of others), recognizing them as part of growth fosters resilience and encourages continued exploration without fear.

In essence, embracing failure—whether it’s within art forms like theater or our individual pursuits—can transform how we view both success and setbacks. Rather than shutting down after facing scorn (the “contempt”), acknowledging these moments as part of a larger journey allows room for new ideas and growth opportunities without getting bogged down by negativity surrounding past failures.

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